## Download Rails Fonts

Rails is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Rails is fantastic and worthwhile for you.

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Rails is an experimental, retro, outline display typeface designed by Superfried. Rails is available in four styles: display, broken, solid and solid broken. As the name suggests they are constructed from parallel tracks with the broken versions featuring distinct breaks for added impact. Combination of the two results in clean, flowing type with sudden and unexpected moments of disruption. Rails has been featured in Computer Arts magazine.

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[**] Download Galerie™ Fonts

Galerie™ is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Galerie™ is fantastic and worthwhile for you.

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Incorporating a certain Gallic ‘je ne sais quoi’ Galerie is a chic & stylish sans serif, though you'll notice some short tails with angled terminals acting rather like serifs, lending a sophisticated characteristic to its balanced proportions. Galerie’s large x-height makes it a very legible font family, available in 4 weights: Thin, Light, Medium and Bold. See also the condensed sister family Galerie 2.

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%% Download Packaged Goods JNL Fonts

Packaged Goods JNL is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Packaged Goods JNL is fantastic and worthwhile for you.

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A vintage matchbook advertising the New York Liquor Mart – oddly enough, located in Chicago, Illinois – featured a pen and ink line drawing of the store’s exterior. The Art Deco lettering on the mansard was portrayed with a straight left shadow (as opposed to drop cast or extruded), making for an interesting multi-line typeface design. This is now digitally available as Packaged Goods JNL.

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@ Download Service Men JNL Fonts

Service Men JNL is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Service Men JNL is fantastic and worthwhile for you.

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Service Men JNL is a collection of twenty-six service industry-related messages carried by a courier. Each image is offered facing left and facing right. A blank message panel is available on both the period and comma keys for adding special text. The classic 1940s-era artwork adds a nostalgic touch to these simple reminders.

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[>> Download Irrlicht Fonts

Irrlicht is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Irrlicht is fantastic and worthwhile for you.

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Irrlicht is based on C. H. Kleukens’ 1923 typeface Judith Type. Whilst Dunkle Irrlicht is a fairly faithful rendition and extension of Kleukens’ typeface, the Licht style was initially added as a stand-alone stencil version; yet, the two styles work perfectly together – for different nuances, for emphasis or simply stacked/layered. Irrlicht is equipped with upper- and lowercase ligatures, contextual and stylistic alternates, fractions, superior and inferior figures, extended language support and a few extra goodies. Additional information – How Irrlicht came to life More… Christian Heinrich Kleukens cut his Judith Type in 1923, at the peak of German expressionism, exclusively for publications with the Ernst-Ludwig-Press, such as a limited series of biblical prints – the first being the Book of Judith, hence the original’s name. I stumbled upon this typeface a couple of years ago in a nice little 1930 booklet of the Gutenberg-Gesellschaft and was struck by its forceful darkness on paper and its seemingly simple, crude letterforms. The lack of a long-ſ in the final version of Judith Type – quite unusual for a German typeface of that time – adds to this feel of crudeness and spontaneity*. Judith Type seemed to me like a semi-blackletter cousin of Rudolf Koch’s typeface Neuland (cast in the same year). Besides its apparent affinity with expressionism, it reflects a lot of that deeply spiritual craftsmanship of the era – much like Neuland. A few months later, when I was working on a stencil project and looking for a typeface that could be cut into thin wooden plates easily, I remembered those dark, sharp letters that seemed to be lacking any curves at all. After enlarging a few letters and tracing them by hand, the whole set was redrawn digitally, using only straight lines. As for spacing, the goal was to keep the letters tight but to avoid touching characters – without ironing out all the original’s tension and rhythm. Deliberate kerning, subtle contextual alternates and ligatures help to deal with critical glyph combinations. Two additional versions were developed: a stencil version with open counters and, in reference to a popular style of the 1920s and inspired by dry, cracked wood, an inline version. These two additional styles were later merged into one font – Lichte** Irrlicht was born. — AARHAUS * Consequently, the original typeface’s German eszett is simply a ligature of the “round s” and standard z. In some of his publications, Kleukens dispenses with using eszett altogether and sets double s instead. Irrlicht, however, does feature a more common eszett (ß); the original, among other more faithful letter forms, can be accessed via the stylistic sets feature ** licht – literally bright – being the German term for inline typefaces – not to be confused with leicht (light)

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[**] Download Combine Fonts

Combine We are and so proud to introduce our very best font to you. This Combine is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


Not only the fact it is the high quality solution from high quality graphic that can generate the enjoy outcome from our corporation lab but the feedback from our real users of this Combine are also just as by being the good feedback.


Our website is offered to provide the full information details for you 1 day per day so that you can appreciate seeking for the information prior to decision to use your Combine . Not only the elegant information about the font on our website is provides but the reviews from authentic users are seemed on internet to give genuine feedback from real users about our own Combine .


This is valuable to suit your needs because it can help you to produce decision to use each of our Combine or not and it’s the true feedback from real users with no adjusting or making up in the positive feedback. Don’t wait to try our important font and you will understand why we recommend it to you.

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Combine, designed by Carlos Fabian Camargo G, is powerful and attractive, multi-layered chromatic type family that consists of 12 fonts, typographically grouped in two logics: “Script and Caps”, so that they could be colored separately or in group. Both designed with contrasting optical techniques and combinable at the same time. The unforgettable central idea of Combine was inspired by unique types of speedball letters designed by ancient artists in Canadian posters of shows and fairs in 1930. This is why its Typographical tools work independently or in group, resulting in highly polished designs that need fonts with coupled effusiveness. More… Their combined resources offer guaranteed distinguishing letters with shadow effects and worn, in order to help enhance their expressiveness. Combine is excellent in any project on paper or screen as it has more than 2100 glyphs and features of OpenType distributed strategically in fonts easy to use. SEE BELOW THE MAIN ADVANTAGES: • Combine Script & Shadow: It offers incredible case sensitive fluency and eloquence drawn with vertical cursive letters with ornamental non-stop excitement and complementation. It also has a variety of significant upward and downward, alternative strokes combined with its vintage ties that also give authenticity to their designs. • Combine Caps 1,2,3 & Shadow1,2: Guarantees you a colorful horizontal area of narrow case with 2 types of shadows, sound and other shade with diagonal stripes. Its geometric uniformity gives a friendly, open and subtle character by Typographic and special resources and visual properties coloring layers separately or in groups. In addition, its 2 layers of skeletal illuminations, adding internal lines and simultaneously contributing to play perfect confrontation and contrast with their geometric ideas and aesthetics for special attention. • Combine Words & Shadow: It can be used to design a perfect tone in each one of the 50 slogans written diagonally, making a brilliant feeling suggestive seductive style. Compatibility and flexibility works by monoline thin cursive strokes ideal for featured items with and without shade. Combine was selected at the Bienal Tipos Latinos 2016

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[[]} Download Assai Fonts

Assai is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Assai is fantastic and worthwhile for you.

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A very heavy headline only typeface which should be typeset at rather large type sizes due to its fine counters.It’s the ideal typeface for building a brick-wall out of letters.Surprise is in the details, so play it loud and big! It’s fun.

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[**] Download Mitchell NF Fonts

Mitchell NF is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Mitchell NF is fantastic and worthwhile for you.

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Mitchell was released by Inland Type Foundry in 1906 as a bolder version of their popular sans, Blair. This revival is faithful to the original, and is quite handy for both formal and informal use. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

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## Download Classification JNL Fonts

Classification JNL is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Classification JNL is fantastic and worthwhile for you.

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Sometimes it’s easy to find a name to fit a font design, other times it’s a struggle because of the sheer number of digital fonts available and the number of names already taken. Classification JNL stretches a point to arrive at its name. The attractive sans design was found as a hand-lettered title on a piece of vintage sheet music called “My Hawaiian Souvenirs”. During the 1940s, the popular mode of travel to other countries was by steamship. More… Steamship passengers were assigned their accommodations by the type of passage they booked (such as First Class and Tourist), thus they were in various levels of classification. This aside, Classification JNL is a nice alternative to “standard” condensed fonts for design projects.

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